2022 - [PORTERFIELD IPAD ENSEMBLE]

An improvisers' iPad ensemble, co-designed using touchOSC and MaxMSP with inmates of HMP Inverness.

2022 - [LESPIE WINNACHIE'S LOOM]

Re-sounding a story of chaos and order, wildlife and weaving from the Tobar An Dualchais archive, created for the Northern Periphery and Arctic Programme's 'Storytagging' project.

2021 - [COVID REALITIES]

A series of short audio pieces with visuals by Tom Flannery and Hannah Ellison, created from discussions held with parents and carers on low incomes during the 2020 pandemic. Part of a research project for the Universities of York and Birmingham.

2021 - [KIOSK]

A group exhibition of speculative souvenirs at An Lanntair in Stornoway, built on the myth of the Bùth MhicNeacail (Nicolson's Kiosk). The exhibition was co-curated by Philippa C Thomas and myself and featured artists & makers from across Scotland.

2019 - [HAVOC]

An ongoing project exploring new ways of working with traditional Scottish / Cape Breton step-dance, co-led by Sophie Stephenson and supported by Help Musicians UK's Fusion Fund. A scratch performance was developed in 2019 with Mairi Campbell and Eilidh Munro and shared as part of a residency at Dance Base, Edinburgh.

2018 - [INNER ARCHITECTURE]

A response to the 1962 Pure Maths Exam, commissioned by the National Library of Scotland for "Re-Sits", celebrating the digitisation of their exam archive. Created in collaboration with singers from across the Isle of Skye, the piece is an exploration of the circular ruins of Dùn Beag - a stone age broch - as a site of maths, music and indeterminacy. Meeting within its walls over the course of 6 weeks, we played with distribution of harmony, chanting, binary counting and improvisation to see what might emerge from the questions in the exam.

2017 - [SUSPENSION AND DISBELIEF]

The imaginary history of the Hebridean Cable Transit Company, retold in two exhibitions by Philippa C Thomas and I. The first of these celebrated the company's 1950's heyday and featured the complete restoration of gondola #72 ("Effie"), the second explored the hubris and submarine adventure that led to it's demise in the Sound of Harris.

2016 - [THE INFORMANTS]

As adults we often make sweeping predictions ourselves and our world, when the people who live in those futures are already here among us, albeit in child form. The Informants presents edited and anonymised interview content which is, in a playful way, an attempt to get them to “report back” on what those futures are like. This project had two iterations, one for the In Cahoots conference at Sound Festival Aberdeen, and one for Atlas Arts' "Travelling The Archive".

2014 - [THE REPLICA HEARTH]

A collaborative project with Kate McMorrine, exploring the story of 'Eoghann the Yeti', a crofter who mysteriously vanished into woodland on the Isle of Skye in 1984. The work centres around a reconstruction of Eoghann's living room inside a shipping container, and a museum/gift shop housing an exhaustive collection of speculative academia. The exhibition was a journey through his personal life and the contemporary history of his community, but beneath it were clues to something more sublime and unharnessed.

2013 - [STORY'S END]

Created with The Dead Man's Waltz, Story's End was a collective performance exploring the role of death in narrative. It involved film-maker Johnny Barrington, visual artists Kate McMorrine, Cat Ingall and Mark Weallans, and author/performer Hal Duncan. It was perormed in different guises at the Glasgow Short Film Festival, Death: A Festival For The Living at the Southbank Centre, and as part of the Made In Scotland showcase at the Edinburgh Fringe.

2013 - [SPIN CYCLE]

A multi-artist performance led by David Littler and Jason Singh (Sampler/Cultureclash), with Anne Martin and Deirdre Nelson, exploring circular movement through sound, music, textiles and folk tales. Performed at Skye Bike Fest and Cecil Sharpe House.

2013 - [6.42am, 3 Dances for Children and Household Appliances]

A piece of alternative chamber-trad, winner of the inaugural Bennett Prize for Traditional Composition, hosted at The Queen's Hall in Edinburgh in honour of the seminal fiddler and producer Martyn Bennett. The excerpts here are performed by Anna Massie, Mairearad Green, Rua MacMillan, Iain Sandilands and Hamish Napier.

2020 - Scotton Drive - Fasca (Producer)
2019 - Scotton Drive - Short Loop (Producer)
2019 - Ingrid Henderson & Iain MacFarlane - The Cockerel and the Creel (Engineer)
2019 - Beware Of Trains - Let's Move To London (Mix Engineer)
2018 - Eilidh Shaw & Ross Martin - Birl-esque (Engineer, Bass, Percussion)
2017 - Angus Nicolson Trio - Sealladh Àrd (Record Engineer)
2017 - Dàimh - Hebridean Sessions (Engineer)
2016 - Mairearad Green - Summer Isles album & tour (Vocals, Percussion, Bass)
2013 - Williams - Atlantic Mind (Vocals)
2007 onwards - The Dead Man's Waltz (Vocals, Percussion, Guitar, Co-Producer)
2005/6 - Mylo - Live Tour (Percussion)